“[Anaïs is] an artist that has embraced Jazz in its entirety through studying it deeply throughout the genre's growth and consequent metamorphosis, revealing a vocal depth of great class and maturity already at a very young age.”
-Giovanni “Gio” Pilato, Bluebird Reviews
“This 17-year old who sang “America The Beautiful” (both verses, shocking the crowd) Anais Reno, is going to be a superstar.”
“Her sophistication and work ethic set her apart from most people her age. Anaïs Reno is truly a classic vocalist, her singing is ageless.”
- Nelson Brill, Boston Concert Reviews
“Gliding on her never-straining shimmering voice, legato passages flow and floating high phrases contrast dramatically with her rich deep tones… Lovesome Thing: Anaïs Reno Sings Ellington & Strayhorn is a tasteful and classy recording debut. Stay tuned.”
- Rob Lester, Talkin’ Broadway
“…Here is a genuine world-weariness to her vocals that belie her youth. Anaïs Reno is truly a phenomenon.”
- Suzanna Bowling, Times Square Chronicles
"There’s no doubt that jazz fans are always looking for fresh talent, and I have (absolutely) no doubt that you will find invigorating young jazz singer Anais Reno one of those talents that will carry her generation forward."
- Dick Metcalf, Contemporary Fusion Reviews
“A remarkable introduction to a singular talent… it's impossible not to be moved by Reno's musicality and approach to the music. And, yes, she does dust down ‘Lush Life’ and makes a great job of it, too.”
- Peter Quinn, JazzWise (UK)
“With her grace, gravitas, serenity, and prodigious skills—one can proclaim that the work of Anaïs is impressive without any added qualifier/caveat like "...for someone her age…”’
- Rob Lester, Talkin’ Broadway
“Here is a woman singer who stands out from the rest…”
- Ann Alex, ebop Spoken Here (UK)
“…Her intriguing take on these standards have carved out her own niche and point of interest in a very average and crowded field of singers.”
- Ferell Aubre, The Jazz World
“You hear a piece of her soul shining through when she performs, “I Ain’t Got Nothin’ But the Blues.” Clearly, she is becoming a jazz force in her own unique way."
- Dee Dee McNeil, musical memoirs
“….one of the most dazzling performances in recent memory…”
- Jim Caruso – Cast Party at Birdland, Broadway, New York
"This is a once in a lifetime voice, so rare, so exquisite, with a depth that goes beyond the musicality bestowed upon a singer who won the genetic lottery to perfectly balanced performance instinct and technique - it's the holy trinity that creates a singer who is able to do the kind of things Anais does on this album."
- Stephen Mosher, Broadway World
“Band leader Emmet Cohen adds a bit of the blues to Ellington's "I'm Just A Luck So And So," as Anaïs' voice once again steals the spotlight with her sultry vocals.”
- James Pasinski, JP’s Music Blog
“I want to be a jazz singer, to record and perform and tour. That’s how I want to spend the rest of my life.”
- Anaïs Reno, The New York Times
“She could show the mass market teen queens a thing or two about what real talent means. A thoroughly delightful jazz vocal album with all involved cooking with the gas on high.”
- Chris Spector, Midwest Record
"Anais makes “I’m Just a Lucky So and So” her very own… an absolute “smash hit” for this reviewer!"
- Dick Metcalf, Contemporary Fusion Reviews
“Anaïs Reno displayed the poise and vocal ability of a veteran cabaret performer: Her phrasing and acting made her performance of “But Not for Me” memorable.”
- Ron Forman, Cabaret Scenes
“Billy Stritch, long-time Birdland fixture, expounded upon the pleasures of working with such a talented, young performer. The Reno-Stritch combination is surely a delight; she provides an incredible range of rich vocalizations….It’s uncanny at times how deep her voice can reach while remaining smooth, reminding me of the rich taste of melted chocolate. “
- Chris Struck, Cabaret Scenes
I have been following the career of 2019 winner 16 year old Anais Reno for a few years and she is simply a phenomenon. This prodigy is a poised, natural jazz singer, and performs with a sophistication well beyond her years. With Billy Stritch on the piano, she sang, “Centerpiece” and closed with torch song written in 1930, “Body & Soul.”
- Thaeterpizzazz, Linda Burns